NEWS ANALYSIS, JUNE 22,  2002

 

 

GREEN DRAGON

 

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"Green Dragon" is a movie released this month in the United States. Its director is Timothy Linh Bui, who along with his brother Tony Bui produced the prize-winning movie "Three Seasons" three years ago. Three Seasons had all the scenes taken in Vietnam, while Green Dragon was shot within Camp Pendleton, the U.S. Marines base camp in California.

 

The story is about the first wave of approximate 135,000 refugees from Vietnam after the Republic of (South) Vietnam collapsed on April 30, 1975. The American authorities moved them to one of the four military camps temporarily used to shelter them for preliminary process. Camp Pendleton was one of them. The events took place within the camp and lasted about 6 months until all refugees had been resettled.

 

Casting of the movie included the well-known actors Patrick Swayze, Forest Whitaker, Don Duong, actresses Kieu Chinh (a famous star of the Saigon's 60s and 70s) and Le Thi Hiep. The two teen-aged boy Trung Nguyen and girl Jennifer Tran are also in the cast list.

 

Scenes in Camp Pendleton reflect different types of persons of a society with their characters, aspirations, attitudes, emotions... all blend together at a narrow location in a strange country. They are afraid of the unpredictable future, facing fears of the new world outside the camp they have never known. Some are disappointed; others are looking on the bright side. There are others who nourish great expectation for a bright future in the country they believe a Paradise on Earth.

 

In a symbolic scene, Minh (Nguyen Trung) doesn’t know that he and his sister Anh (Jennifer Tran) have just become orphans. After the two  children left Vietnam with their uncle Tai (Don Duong), their father, ARVN Captain Cuong, was killed in his last battle. Days later their mother fled Vietnam and starved to death on a small river boat without food and water after weeks drifting on high seas. 

 

Minh wakes up, stepping across a barrack large house over hundreds of people lying on the floor towards the door flooded with bright light. Getting out of the door, Minh looks up and under the blue sky the American Old Glory is streaming…

 

Minh finds a good friend in the cook Addie (Forest Whitaker), both strive to communicate over the language barrier. Differences in culture are exemplified at the mess hall when Vietnamese refugees don’t eat fish. In Vietnam, “chicken is more expensive than fish.”

 

In certain cases, some refugees are afraid of leaving the camp for localities where sponsors will welcome them, until they are forced to go on buses. The camp also witnesses large families torn apart; each adult son and daughter goes one direction to the unknown destinations where there is someone who sponsor them.

 

An ARVN general is confronted by an ARVN subaltern officer who yells at him in a verbal attack, accusing him for abandoning his command post while his troops are still fighting. The general, who was fighting the French along with the Viet Minh, defected to the nationalist side when he realized that Viet Communist Party is against the ultimate interests of the Vietnamese people. He says it’s the first time he was betrayed, insinuating that the second time was by the Americans. Washington is blamed for the defeat of Saigon at other scenes in the movie.

 

Under the stress of remorse, he commits suicide.

 

The dead general is a typical case of many ARVN officers who are filled with remorse for their escape from their home country in the last days of the republic they are obliged to fight to death to defend. But before ending his life, the old man sowed seeds of chili outside his tent. It’s Minh who is watering the sapling that grows into a tree and bears fruit after a few months. The seeds are brought from Vietnam to be planted by the old in strange soil and taken care by the young can bear healthy fruit, why not the Vietnamese refugees?     

 

Further details of the movie can be found at www.greendragonmovie.com.

 

Telling stories of the refugees fleeing a Communist regime, the movie asserts the right cause of the anti-Communist Republic of Vietnam. It also justifies the objectives of the war defending South Vietnam against the Communist invaders by the various aspects of the greatest waves of political asylums in the history of the world, of the United States, particularly of Vietnam whose people have never been an adventurous race.

 

There were about 135,000 Vietnamese people evacuated out of Saigon by the U.S. Armed Forces from April 20, 1975 to the early May 1975. Nearly 1.5 million others fled Vietnam by boat and by foot since then to the early 1990s.  All of those risked their lives fleeing the Communist tyranny, in defiance of dangers of pirates, stormy weather and boat mechanic failures that killed from 50,000 to 100,000 refugees on their ways out of Vietnam on seas and in jungles.

     

It’s great because their path of a thousand miles to the camps in South East Asia nations and across 9 to 12 time zones, nearly 7,000 to 12,000 miles to be resettled on the other side of the Pacific, to Australia and Europe. It also reveals to the world the true colors of a despotic regime that dubs itself a patriotic and revolutionary movement and won the war by the means of barbaric terrorism and propaganda.

 

The waves of refugees from Vietnam, by their hardships, deaths, volition, determination and courage have won the support of many scholars, writers and journalists who had once taken side with the Viet Communists in the Vietnam War. However, by ignorance of the realities in Vietnam or personal unethical interests, many others are still advocating Hanoi against international appeals for human rights and democracy in Vietnam.

 

“Green Dragon” should be supported as a more realistic explanation of the heroic struggle against the Communist dictatorship in Vietnam. To those who knowingly advocate the “bad guys,” the movie may serves as an eye-opening lecture that they should learn well.  If any message should be sent from Green Dragon, it could be “Please don’t make money and fame out of blood and sweat of the miserable, oppressed Vietnamese people.”      

 

Last week, Hanoi officials for Culture and Education sternly criticized Don Duong, who was starring a North Vietnam colonel in “We Were Soldiers,” for distorting the image of the North Vietnamese Communist soldiers. Hanoi authorities might get him into trouble.

 

More possibly, Don Duong and his two nephews might face difficulties and restrictions from the Hanoi after its authorities will have watched the Green Dragon if they plan to make other movies in Vietnam.   

 

Overseas Vietnamese wish that other movies at greater scale and with bigger money about the tragic but heroic waves of the Vietnamese refugees would be on the screen before long.